Story by Olaf Haagensen and Christian Belgaux of Morgenbladet about كان [kan] כאן
Had a wonderful collaboration with Financial Times Magazine about a subject close to heart; the Norwegian hypocrisy surrounding oil drilling in the Lofoten Archipelago. The work is available through INSTITUTE
As part of the travelling exhibition of European Photo Exhibition Award - Today I am a human will be on display from October 15th until December 11th at the Villa Argentina in Viareggio (Lucca).
It's close to four years ago since I first set foot at Onøy. During the drive south, I realized that night had turned winter to spring and daylight savings had stolen an hour. This wormhole in my personal time-space continuum made me miss the ferry.
It feels like a lifetime ago I first med Anders and Kristine in the doorway, not long before Friday night would redefine itself as Saturday morning.
Since this odd first meeting, they have become close friends. We have shared more adventures and defining moments than I have with most others. The sharp adrenaline focus of a winter storm at sea when the air taste of salt, Anders´ giggle from jumping a four meter wave with his boat. The absolute presence of the last hymn with a life coming to terms with it's ending.
These are but a few, and when going through images last week to prepare a talk for DOKFOTO, the memories resurfaced. I have collected some of them and will share stories about the wonderful people and events of Helgeland at Litteraturhuset in Oslo on Friday February 5th.
Hope to see you there.
The Washington Post presented a small selection from "Come, for now all things are ready" this week (link).
Kenneth Dickerman write about the work: "Through his interactions, Eivind has given us insights into a coastal way of life in Norway that isn’t often seen and is disappearing. Although Eivind likes to say that he is just focusing on ordinary life and that “the normal is more than enough for me,” the end result is anything but ordinary."
For the rest of Kenneths text and more images, go to the Washington Post
For the past six months I have worked with a commission from the European Photo Exhibition Award. A platform of meetings and workshops with an immensly diverse and talented group of european visual artists which will result in a touring group exhibition under the title "Shifting Boundaries". I have used this fortunate opportunity to produce a body of work about migration.
The exhibitions will take place:
May 20th – August 28th 2016:
Paris, Fondation Calouste Gulbenkian – Délégation en France
October 15th – December 15th 2016:
Lucca, Palazzo delle Esposizioni (Exhibition Center), Fondazione Banca del Monte di Lucca
March 3rd – May 1st 2017:
Hamburg, Haus der Photographie der Deichtorhallen
September 21st – October 29th 2017:
Oslo, Nobel Peace Center
In collaboration with my wonderful publisher Tartaruga we are currently preparing a show in London. The You Are Here Now - journey begun in 2008 and I'm excited to reach a new audience with the work, and present a limited set of screen prints.
Du Er Her No / You Are Here Now, was published by Tartaruga in 2014. The book and a limited set of two-colour screen prints will be on sale throughout the duration of the exhibition. The exhibition has been made possible with support from Fritt Ord and the Norwegian Embassy in London.
The exhibition will be open each day at Fish Bar from 11am to 6pm with the private view on the evening of the 19th, 6.30 - 9.30pm.
I have been on the road more or less constantly for about a year now, and have had limited opportunity to produce works. There are some orders on the books and I will produce and deliver the works later this fall. Get in touch if you are interested in procuring something, and if you are located in the south of Norway I will most probably come to your door myself.
...As you flip through the thick silky pages, for example, the position of the images on the page changes. This is no ordinary book of landscapes but a transcending experience of place that leaves you dying to see more.
The rest of the Review by Lauren Heinz can be read HERE
The book can be ordered directly from Tartaruga HERE
The photographs are very cinematic, and many could be stills from a motion picture. There is a close relationship between the photographic and cinematic medium, and in some projects this ratio is more pronounced. There are some echoes of David Lynch found in Natvigs photographs. It's the surreal feel, the feeling of something not quite right, even if the subject and the scene is well known and frequently mundane. Natvig conveys a magical reality.
The full review by Cecilie Tyri Holt can be found in norwegian HERE
The book can be ordered directly from the publisher HERE or at Tronsmo in Oslo.